Friday, January 11, 2019

Writing to the Standard/El suicidio programado del gran ensayo--Accountability and the Management of Knowledge Production

(Pix © Larry Catá Backer 2017)


Academics worldwide remain vigilant against the erosion of academic freedom by administrators or the state.  This erosion threat has worldwide dimensions. Yet academics have been all too willing to sell their academic freedom for financial support.  And all to often, that quid pro quo--grants for the production of work that satisfies the needs or desires of grantors--is institutionalized in universities that then make the acquisition of grants a significant element in professional assessment. 

Academics, for the most part are reconciled to this relationship between money and the control of the direction of academic production.  That reconciliation is due in part from need, but also because academics are critically embedded in the institutions that finance the production of knowledge.  They serve as the peer reviewers or relate positions of many of these; and the university itself rewards academics who are deeply embedded within the knowledge-finance complex. Academics (and their institutional masters) appear to have qualms only when there appear to be "conflicts of interest"--the definitions of which tend to reflect ongoing battles for ownership of knowledge or when outsiders question the legitimacy of such production for hire.   

It is too late in the day to worry overmuch abut the existence of the knowledge production-finance complex. The process tends to be transparent enough, and the oversight tends to be interested enough, that one can be assured that though financiers may substantial influence the sorts of knowledge that is produced (they tend to choose what is studied and what is ignored), the quality of the knowledge produced is not generally any more or less legitimate (in the sense of being disinterested) than knowledge produced by other means.    

But while academics remain focused on formal or rule based threats, and remain vigilant about quality issues in the financing of knowledge production, the growing mania for productivity measures now may well pose a greater threat.  That threat is not just to academic freedom, but also to the quality generally of the production especially of basic knowledge (rather than boutique purchased knowledge for specific consumers). Quantitative measures increasingly provide a means for controlling the form and context of knowledge production, as well as the formats through which it is produced.  Here one sees the rise not just of assembly line factory ideologies transformed for the academic factory, but more importantly, of a production-publisher complex that not only shapes knowledge but which tends to transfer the rights to that knowledge from producers to "distributors." Academics, then, move closer to the bottom--lowest value added, part of knowledge production chains. 

Accountability has given rise to a mania for the production of proxy measures through which the administrative structures of a faculty department might judge quality and quantity of academic production.  There is nothing inherently odd either about the focus on accountability, or on the use of proxy measures per se. However, in the form in which they have been developing over the last several decades, the result is to produce an assessment structure that effectively manages, if not controls, both the form and content of academic production to satisfy the measures of assessment.  In effect, the measures of quality have themselves now become the object of quality. One does not produce knowledge to advance learning  but to meet the criteria for assessment.  In the process, assessment measures can be used to substantially shape and manage the cultures of academic production in ways that may ultimately harm the production of knowledge. 

This is not merely the whining of the American professorate. Academics elsewhere have begun to understand that data analytics, when these drive assessment without appropriate qualitative constraints beyond the measures, can be used to shape, in sometimes dramatic ways, the relationship between academics and knowledge production. Recent interest among Spanish academics suggest the nature of the problem. A article published in El País, El suicidio programado del gran ensayo, makes the point for the Spanish and Italian academy, portions of which follows below (Spanish only).




La expresión “efecto cobra”, divulgada por el economista alemán Horst Siebert, designa aquellas decisiones que producen resultados contrarios a los previstos. * * *

Desafortunadamente, el mismo “efecto cobra” está produciéndose en el complicado sistema de evaluación que regula las oposiciones universitarias. En Italia, por ejemplo, un candidato que aspirase a conseguir la habilitación nacional para ser profesor de primer nivel de Literatura Italiana deberá cumplir al menos dos de los tres requisitos previstos: haber publicado un libro en 15 años, seis artículos de nivel A en 15 años y 28 artículos-ensayos breves en 10 años. Ninguna posibilidad, con los parámetros actuales, para un crítico del calibre de George Steiner (uno de los más importantes del siglo XX, con prestigiosos premios y doctorados honoris causa en su haber): sin el cumplimiento de los requisitos previstos para al menos uno de los otros dos ámbitos (artículos de nivel A y artículos de diferente naturaleza), sus 11 libros de éxito (de más) no podrían compensar el "umbral" incumplido.

La situación italiana puede fácilmente compararse con la de muchos países en los cinco continentes. En España —donde la acreditación a cátedra está sujeta a criterios no menos cuantitativos que los italianos, tanto que una sentencia reciente y particularmente significativa del Tribunal Supremo obliga a las comisiones a no descuidar la calidad de los contenidos—, el proceso para acceder a las figuras menores del panorama docente universitario (ayudante y contratado-doctor) está haciendo auténticos estragos entre los jóvenes más dotados para la investigación auténtica. Hoy en día, un filósofo como Ortega y Gasset no pasaría los criterios de “calidad científica”, por el hecho de que muchos de sus escritos se publicaron, en diferentes entregas, en la prensa periódica (El Sol) o en revistas fundadas y dirigidas por él mismo (Revista de Occidente).

Los resultados de esta lógica aberrante son evidentes: el suicidio programado del ensayo de gran envergadura y la innecesaria mutiplicación de publicaciones destinadas exclusivamente a superar las oposiciones. La universidad, en lugar de formar a jóvenes dedicados a la investigación, forja profesionales de los currícula, obligados (no por su culpa) a dedicar preciosas energías a la alquimia de los "umbrales". Así la medida programada para fomentar y premiar la calidad, somete la investigación a la cantidad y a los números, favoreciendo a los contables de la estadística y no a los estudiosos que escriben libros.

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